This is just a little chart that I made for anyone that wants to cut & paste their own Moya samples. Let me know if you have any requests.
So, I’ve embarked on #Lextreme2018, on Twitter. I am focusing on Amal rather than Kala. Kala is still my primary project, but it has gone stale in my imagination. Much of it is a jumbled mess and needs serious revision. I plan to work on this revision but in the forefront there might be far fewer posts about Kala for a while in favor of Amal lemma, phrases, and grammar notes. That being said, this blog is still primarily for and about Kala.
Top 5 reasons that I watch Orville over Discovery
1) That paywall.
Like many other households we still have cable. We have not transitioned to a subscription service. We do have Netflix, but not Hulu, Amazon, or any other. While it’s clear that the trend in media is toward portable subscription services, there are still millions of households that have cable and would love to be able to simply push the power button on their remote to watch some good ol’ Trek. CBS, in an effort to compete with companies like those listed above, has lost probably a third to a half of its potential audience for Discovery. And no, no one should “bend over backwards” to pay for “good” science-fiction. It might be worth it for some, but for others, it’s just another crappy subscription for a show that has barely shown that it respects its creator’s vision, or the hundreds of hours of established canon that preceded it.
2) Another Prequel *sigh*
We’ve already had a dismal prequel, and the best thing that came of it was more Jeffery Combs. Quite seriously, the amount of retconning and explication needed for Enterprise to fit the already hearty Star Trek universe was too much for many fans to put up with, or accept. Yes, the Klingons have changed more than once, but the science, along with the fact that the lead character is supposed to have been an adopted half-sister to the most enduring and beloved character in all of Trek, yet we’re just now hearing about her, and the fact that so much of the story completely destroys long established timelines. All of this means that another prequel was likely the worst direction they could have gone in. They should have done something close to 30 or 40 years after Voyager returned home. This is based on nothing more than dozens of opinions I have read online. Prequels, when done correctly can enhance any franchise, and not only garner new fans, but reinvigorate the existing fan base, however, when done poorly, they leave such a sour taste behind that it’s nearly impossible to erase. Just ask Jar Jar Binks.
3) Days of Our Lives “in space”
The acting was fairly on par in Enterprise, but from what I’ve seen of Discovery it is overly dramatic and hammish, while the Orville cast is shaping up to have depth and true chemistry. With the current political and social climate what I (and many others, I suspect) want is to have hope, laughter, and simply a moment or two of escapism. When every scene is a perilous sequence of events that might lead to disaster, none of those wishes are granted. Orville, in my humble opinion, has, thus far, achieved equilibrium of drama and humor. Yes, much of that humor comes directly from the mind of Seth MacFarlane, and has a healthy dose of immaturity, but it is none-the-less humor that can be enjoyed on network television, instead of vulgarity laced dribbling, that I’m almost certain Gene Roddenberry would have loathed.
4) Faux Diversity
Yes, Discovery has a diverse cast, but they’ve not broken any new ground. Touting their cast as noteworthy based on race, gender, sexual orientation, or any other identity is a transparent pander to the youngest generation of potential viewers. Sisko was a black Captain who had a female first officer; Janeway was a female Captain with an Indigenous American male first officer. George Takei, an Asian-American, from the original series is gay, and there have been numerous storylines about gender issues throughout the Trek canon. So, no, Discovery isn’t breaking any new ground, or shifting any paradigms, it’s merely continuing the tradition that began more than 50 years ago. No extra points for mixing and matching what has already been done. Sorry.
5) Relatable Characters
Ed Mercer may be a heterosexual white male, but he’s flawed, perhaps severely so. He lacks the unencumbered bravery of Kirk, the diplomacy of Picard, the grit of Janeway, the tactical mind of Sisko, and the authenticity of Archer, but he’s human, he’s relatable. The tension on The Orville thus far is more interpersonal than introspective, but it makes for better humor, and it makes for better TV. Also, as Trek has had the Klingons, Borg, Dominion, and Romulans, The Orville has the Krill, but not to a fault. MacFarlane seems to realize that focusing exclusively on the alien species leaves little time to develop the main characters, whereas Discovery seems hell-bent on shoving every nuance of the Klingon nouveau down the throats of anyone watching. Ed fumbles, omits details from reports, says inappropriate things in various situations, has fears, basically he’s flawed enough to be far more believable than a human taught by Vulcans whose arrogance and vitriol are easily the antithesis of everything she is meant to embody.
First, I find Michael Burnham to be a laudable character, at least, as far as her bio suggests she should be. Supposedly educated by none other than Spock’s father, Sarek, it is hinted that she might be the only human to ever have attended Vulcan schools. However, through her actions during the first episode it might be understandable to assume she is an average emotionally volatile human. Only a day or so after Capt. Georgiou discusses a command of her own, Burnham commits blatant mutiny in order to initiate what can only be considered war with the Klingons, a hereto misunderstood and feared enigma to the Federation and Strafleet; hardly a logical course of action.
Secondly, the rest of the crew seems an afterthought, barely worthy of their names appearing in the end credits. The interaction of Burnham, Georgiou, and Saru are splattered across every scene with almost no interaction from the rest of the crew. This might seem acceptable for a pilot episode, but with Trek, the ensemble cast has always been introduced with an easy simplicity in the premiere episodes. This is yet another thing that seems difficult for DSC to learn from its predecessors.
Thirdly, the Klingons seem to be taking center stage. And despite the obvious outward redesign, they also do not behave exactly like other Klingons throughout the Trek universe. This might be explained during the rest of the first season, but even then it seems as though a more fitting title for the show would be “Star Trek: Exposition of Klingons”. There also seemed to be a thick layer of a Game of Thrones paint slathered all over the interactions among the Klingons. While this may be the norm for modern TV, it is an anathema to the Trek universe. Star Trek has always had an air of big “D” drama, as it should given the varying degrees of danger the crews find themselves in, but the majority of that drama has been more than a few paces away from Soap Opera style drivel.
Lastly, the effects…this show so obviously and painfully is drawing from the JJ Abrams style of cinematography that I wonder if they might be paying him royalties. The style of Trek on TV has always been more-or-less in-line with the rest of non-sci-fi TV. That is, no flares, no tilted camera angles, dramatic close-ups only when deemed necessary. I can imagine a few people were actually mildly dizzy watching the cyclonic movements and frenzied lighting that made-up the majority of the first two episodes. This is without-a-doubt, not the Trek of old, and it may very well have changed too much.
I know quite a many people fell in love with this show as soon as it aired. Those are the people that would have also bought a pet rock, chattering teeth, or plopped down a bundle for a sliver of land on the moon. This show may, after a while, prove itself to be the incarnation of Gene Roddenberry’s vision of the future, but it failed in the first 90 minutes to convince me that it isn’t much more than a marketing ploy by CBS to entice people into paying for a streaming service that will still force viewers to watch commercials and probably have buffering issues with horrifying regularity. I, for one, am not sold.
This is an attempt to mimic the process outlined here.
This, and the few that I plan to do in the coming months are my attempt to create Square Kufic Designs similar to those on the great website Sakkal.com. I am using my adaptation of the Arabic script for Elefen, which I affectionately call Arabesca.